Animal Farm - Language, form and structure test questions - CCEA

1

Read the extract below and then answer the following questions:

Napoleon was now never spoken of simply as 'Napoleon'. He was always referred to in formal style as 'our Leader, Comrade Napoleon', and the pigs liked to invent for him such titles as Father of All Animals, Terror of Mankind, Protector of the Sheep-fold, Ducklings' Friend, and the like. In his speeches, Squealer would talk with the tears rolling down his cheeks of Napoleon’s wisdom, the goodness of his heart, and the deep love he bore to all animals everywhere, even and especially the unhappy animals who still lived in ignorance and slavery on other farms. It had become usual to give Napoleon the credit for every successful achievement and every stroke of good fortune. You would often hear one hen remark to another, 'Under the guidance of our Leader, Comrade Napoleon, I have laid five eggs in six days', or two cows, enjoying a drink at the pool, would exclaim, 'Thanks to the leadership of Comrade Napoleon, how excellent this water tastes!'

Who is being satirised in this extract?

2

Squealer would talk with the tears rolling down his cheeks of Napoleon’s wisdom the goodness of his heart, and the deep love he bore to all animals everywhere.

What language device is used here to make Napoleon seem like a great leader?

3

What are the animals on the other farms labelled as?

4

The novel is a fable. What lesson does this extract teach the reader?

5

This is an example of Squealer spreading what?

6

Read this extract from the end of the novel and answer the following questions:

There was the same hearty cheering as before, and the mugs were emptied to the dregs. But as the animals outside gazed at the scene, it seemed to them that some strange thing was happening. What was it that had altered in the faces of the pigs? Clover’s old dim eyes flitted from one face to another. Some of them had five chins, some had four, some had three. But what was it that seemed to be melting and changing? Then, the applause having come to an end, the company took up their cards and continued the game that had been interrupted, and the animals crept silently away.

But they had not gone twenty yards when they stopped short. An uproar of voices was coming from the farmhouse. They rushed back and looked through the window again. Yes, a violent quarrel was in progress. There were shoutings, bangings on the table, sharp suspicious glances, furious denials. The source of the trouble appeared to be that Napoleon and Mr. Pilkington had each played an ace of spades simultaneously.

Twelve voices were shouting in anger, and they were all alike. No question, now, what had happened to the faces of the pigs. The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.

How does this extract illustrate the circular nature of the narrative?

7

How are the men presented in a negative light in this extract?

8

How are we made to feel sorry for Clover in this extract?

9

What happens to the pigs in this extract?

10

What is the moral taught by this extract?