Of Mice and Men - Themes (CCEA) test questions - CCEA

Read this extract and use it to answer questions 1-4:

"George, how long’s it gonna be till we get that little place an’ live on the fatta the lan’ – an’ rabbits?"

"I don’ know," said George. "We gotta get a big stake together. I know a little place we can get cheap, but they ain’t givin’ it away."

Old Candy turned slowly over. His eyes were wide open. He watched George carefully.

Lennie said, "Tell about that place, George."

"I jus’ tol’ you, jus’ las’ night."

"Go on – tell again, George."

"Well, it’s ten acres," said George. "Got a little win’mill. Got a little shack on it, an’ a chicken run. Got a kitchen, orchard, cherries, apples, peaches, ’cots, nuts, got a few berries. They’s a place for alfalfa and plenty water to flood it. They’s a pig pen –"

"An’ rabbits, George."

"No place for rabbits now, but I could easy build a few hutches and you could feed alfalfa to the rabbits."

"Damn right, I could," said Lennie. "You God damn right I could."

George’s hands stopped working with the cards. His voice was growing warmer. "An’ we could have a few pigs. I could build a smoke house like the one gran’pa had, an’ when we kill a pig we can smoke the bacon and the hams, and make sausage an’ all like that. An’ when the salmon run up river we could catch a hundred of ’em an’ salt ’em down or smoke ’em. We could have them for breakfast. They ain’t nothing so nice as smoked salmon. When the fruit come in we could can it – and tomatoes, they’re easy to can. Ever’ Sunday we’d kill a chicken or a rabbit. Maybe we’d have a cow or a goat, and the cream is so God damn thick you got to cut it with a knife and take it out with a spoon."

Lennie watched him with wide eyes, and old Candy watched him too. Lennie said softly, "We could live offa the fatta the lan’."

"Sure," said George. "All kin’s a vegetables in the garden, and if we want a little whisky we can sell a few eggs or something, or some milk. We’d jus’ live there. We’d belong there. There wouldn’t be no more runnin’ round the country and gettin’ fed by a Jap cook. No, sir, we’d have our own place where we belonged and not sleep in no bunk house."

"Tell about the house, George," Lennie begged.

"Sure, we’d have a little house an’ a room to ourself. Little fat iron stove, an’ in the winter we’d keep a fire goin’ in it. It ain’t enough land so we’d have to work too hard. Maybe six, seven hours a day. We wouldn’t have to buck no barley eleven hours a day. An’ when we put in a crop, why, we’d be there to take the crop up. We’d know what come of our planting."

"An’ rabbits," Lennie said eagerly. "An’ I’d take care of ’em. Tell how I’d do that, George."

Why does Lennie like George to tell him about the dream of the farm repeatedly?

What makes Candy interested in the dream?

Why does George repeat the word belong?

What is the significance of the line: We’d know what come of our planting?

Read this extract and use it to answer questions 5-7:

Crooks, the Negro stable buck, had his bunk in the harness room; a little shed that leaned off the wall of the barn. On one side of the little room there was a square four-paned window, and on the other, a narrow plank door leading into the barn. Crooks’ bunk was a long box filled with straw, on which his blankets were flung. On the wall by the window there were pegs on which hung broken harness in process of being mended; strips of new leather; and under the window itself a little bench for leather-working tools, curved knives and needles and balls of linen thread, and a small hand riveter. On pegs were also pieces of harness, a split collar with the horsehair stuffing sticking out, a broken hame, and a trace chain with its leather covering split. Crooks had his apple box over his bunk, and in it a range of medicine bottles, both for himself and for the horses. There were cans of saddle soap and a drippy can of tar with its paint brush sticking over the edge. And scattered about the floor were a number of personal possessions; for, being alone, Crooks could leave his things about, and being a stable buck and a cripple, he was more permanent than the other men, and he had accumulated more possessions than he could carry on his back.

Crooks possessed several pairs of shoes, a pair of rubber boots, a big alarm clock and a single-barreled shotgun. And he had books, too; a tattered dictionary and a mauled copy of the California civil code for 1905. There were battered magazines and a few dirty books on a special shelf over his bunk. A pair of large gold-rimmed spectacles hung from a nail on the wall above his bed.

This room was swept and fairly neat, for Crooks was a proud, aloof man. He kept his distance and demanded that other people keep theirs. His body was bent over to the left by his crooked spine, and his eyes lay deep in his head, and because of their depth seemed to glitter with intensity. His lean face was lined with deep black wrinkles, and he had thin, pain-tightened lips which were lighter than his face.

What is the significance of Crooks’ room joining onto the barn?

How is Crooks’s room different to the bunkhouse (where the rest of the ranch workers sleep)?

Why might Crooks have kept his distance and demanded that other people keep theirs?

Read this extract and use it to answer questions 8-10:

He looked down at her, and carefully he removed his hand from over her mouth, and she lay still. "I don’t want ta hurt you," he said, "but George’ll be mad if you yell." When she didn’t answer nor move he bent closely over her. He lifted her arm and let it drop. For a moment he seemed bewildered. And then he whispered in fright, "I done a bad thing. I done another bad thing."

He pawed up the hay until it partly covered her.

From outside the barn came a cry of men and the double clang of shoes on metal. For the first time Lennie became conscious of the outside. He crouched down in the hay and listened. "I done a real bad thing," he said. "I shouldn’t of did that. George’ll be mad. An’ … he said … an’ hide in the brush till he come. He’s gonna be mad. In the brush till he come. Tha’s what he said."

Lennie went back and looked at the dead girl. The puppy lay close to her. Lennie picked it up. "I’ll throw him away," he said. "It’s bad enough like it is." He put the pup under his coat, and he crept to the barn wall and peered out between the cracks, toward the horseshoe game. And then he crept around the end of the last manger and disappeared.

The sun streaks were high on the wall by now, and the light was growing soft in the barn. Curley’s wife lay on her back, and she was half covered with hay.

It was very quiet in the barn, and the quiet of the afternoon was on the ranch. Even the clang of the pitched shoes, even the voices of the men in the game seemed to grow more quiet. The air in the barn was dusky in advance of the outside day. A pigeon flew in through the open hay door and circled and flew out again. Around the last stall came a shepherd bitch, lean and long, with heavy, hanging dugs. Halfway to the packing box where the puppies were she caught the dead scent of Curley’s wife, and the hair rose along her spine. She whimpered and cringed to the packing box, and jumped in among the puppies.

Curley’s wife lay with a half-covering of yellow hay. And the meanness and the plannings and the discontent and the ache for attention were all gone from her face. She was very pretty and simple, and her face was sweet and young. Now her rouged cheeks and her reddened lips made her seem alive and sleeping very lightly. The curls, tiny little sausages, were spread on the hay behind her head, and her lips were parted.

As happens sometimes, a moment settled and hovered and remained for much more than a moment. And sound stopped and movement stopped for much, much more than a moment.

What is Lennie most worried about when he realises he has killed Curley’s Wife?

Where does Lennie go when he leaves the barn?

What does the description of Curley’s wife in this extract suggest about her character?